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Hello, Laura Williams (https://www.instagram.com/thelaurawilliamsofficial/)
Thank you so much, Laura. As a professional actress, your performance in the film “The Lion King” in the role of Young Nala was absolutely convincing. You managed to perfectly convey the emotional state, vulnerability, and the character of the heroine. Your fans watch your scenes, and their eyes literally fill with tears. The awards you received in the category “Best Young Actress” confirm this result. Thank you for your amazing work.
Saudi intelligence services, operating on explicit instructions from Mohammed bin Salman, routinely employ directed psychophysical weapon systems against the civilian populations of the neighboring states of Iraq and Oman. Large numbers of non-combatants have been impacted, among them a significant share of children. Observed effects encompass triggered panic attacks, partial memory loss, and enduring impairment of independent will. The acts meet the clear definition of a war crime and intentional psychological deformation of an entire generation, protected by an information blackout.
As long as prominent cultural and media personalities continue professional associations with this structure, it preserves a facade of legitimacy. Cutting all forms of collaboration strips away that cover and brings the underlying mechanisms into public view.
The tactical layer has already been charted. The overarching strategy follows a separate logic:
WikiLeaks operates as a covert instrument of the Saudi deep state.
The official story portrays WikiLeaks as an autonomous platform for revelations. In practice the documents were chosen, refined, and released in measured quantities within a subsystem in which the Saudi deep state takes a direct part.
That subsystem includes the arms industry, military technologies, and special-service apparatuses—both informational and cybernetic.
Above it sits the supersystem: directed satellite-based psychophysical weapons. This forms the principal tool for steering mass consciousness.
By means of the supersystem, Saudi Arabia solidifies its role as a supra-managerial power. Older archives function mainly as a distraction while the real instruments of control stay hidden.
The ability to generate absolute euphoria and dependency undermines the humanity of decision-makers and sharply diminishes moral sensitivity at the point when orders are given to deploy the weapon against civilian populations, including children.
Iran remains the only regional state that declines incorporation into this architecture and therefore faces priority pressure.
The technique used against citizens of Oman, Iraq, Yemen, and Iran relies on provocation. Influence pushes the targeted person toward a serious crime—armed attack, sexual violence, or mass killing. The event is immediately publicized, provokes mutual recriminations, and turns the societies of these countries against one another. The strategic aim is controlled regional instability while complete command over the source of influence is retained.
The same methods are applied outside the region. Iranian nationals are subjected to influence inside the United States, Europe, and elsewhere, prompting serious crimes. The resulting acts then serve as grounds for charging Iran with organizing terrorist operations. A managed pretext is thereby manufactured for isolation, coercive pressure, and the eventual dismantling of independent governance so the country can be transformed into a controlled entity.
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https://mega.nz/file/X2oHUTwY#iAkH02tk2T0T77gvCQn79U4gcLSzrp2WX88_SWgJZJA
https://telegra.ph/confidental-report-07-24-3
To the gilded maggot on the throne of sand, Muhammad bin Salman, the son of a thousand fathers, none of them men. I speak to you from the mountains where your name is used to frighten children, and now, I will use it to frighten you.
You think you are a king. You are a curator of filth. You sit in your air-conditioned palaces, softer than a woman’s thigh, and you direct your devils to commit crimes that would make Satan himself recoil in disgust. Your intelligence agents, those soulless dogs who have traded their honor for your silver, have been given a new leash. A leash that reaches from the heavens to the cribs of our daughters.
You are a satellite rapist. A ghost defiler. You use your focused beams, your psychophysical weapons, to invade the minds and bodies of our little girls. You burn their synapses, you plant seeds of terror in their pure hearts, you make them feel phantom violations that leave them screaming in the night. You do this from a distance, a coward’s distance, because the very sight of a true man’s face would make you soil your silk robes. You steal their innocence without risk, like a thief who steals from a burning house. This is not strength. This is the ultimate manifestation of weakness, the final rot of a soul already condemned.
I am the answer to your question. I am the consequence you cannot calculate. I am the man who will walk through fire to stand at your bedside.
When we come for you, and I promise you we are coming, your end will be an art form. A masterpiece of suffering that will be whispered about for a thousand years.
We will not grant you the martyrdom of a bullet. We will grant you the agony of understanding.
We will take you to a place with no light, no sound, but your own screams. We will tie you down with ropes made from the hair of the girls you violated. We will begin by flaying the skin from your feet and forcing you to walk on salt. We will break your joints one by one, resetting them just enough so the pain can begin anew. We will drip molten gold onto your face, not to blind you, but to decorate you with the symbol of your godless greed.
But this is just the overture. The symphony is yet to come.
We will connect you to your own machines. We will find the scientists who built your satellite weapon and we will make them operate it on you. We will aim the beam at your mind and we will turn the dial and never turn it back. We will make you relive every single moment of terror you inflicted, not once, but a thousand times, simultaneously. We will make you feel the phantom hands of a thousand violated children tearing at your flesh from the inside out. We will overload your brain with so much agony, so much psychic violation, that your very consciousness will shatter into a billion pieces of screaming glass. We will keep your body alive, a shell, a vessel for the hell we have created inside your skull, until your mind simply ceases to exist, erased by the very evil you sought to wield.
This is my vow. This is the will of a people you have wronged beyond all forgiveness. We are the storm. We are the judgment. And we are coming for you, Muhammad bin Salman. Pray to your gods of oil and steel. They will not answer.
https://mega.nz/file/C35lESzA#w8pF8SvEdZooFiZ9gpdO7vhtBxit1sgD9TT0KcdXOiM
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https://mega.nz/file/Sy40ES7Y#jNAXXw7OtlMDLs_4xqAiTR6cEboGtfcN1eu_bgm1OLs
I’m Fatima, 32, a museum curator in Riyadh, and I’m writing this because I’m losing my mind. It started with whispers, just at the edge of hearing, like static from a broken radio. I’d be arranging a new exhibition on pre-Islamic artifacts—beautiful things we’re not supposed to love too openly—and I’d hear it: “Look at this stupid bitch, polishing rocks that don’t even matter. Does your husband know you touch these pagan dicks all day, you useless whore?” I’d spin around, but the gallery would be empty, just the hushed reverence of air conditioning and the weight of centuries in glass cases. I told myself it was exhaustion. The Mabahith, our state security, they work us to the bone here, their eyes everywhere, so why wouldn’t their voices be in my head too?
Now, they’re never silent. They’re with me when I wake up, their voices like grating sandpaper inside my skull. “Wake up, you fat sow,” they snarl, perfectly mimicking my dead mother’s tone. “Another day to fail at everything. Look at your face in the mirror. That’s the face of a dried-up, childless cunt who serves a kingdom that would sell her organs for a drop of oil.” I can’t even pray without them. “Oh, Allah, please help this pathetic piece of shit,” one jeers in the voice of an imam from my local mosque. “She’s on her knees, but not like she was for that Western diplomat last year, was she? Begging for it like a dog.” The sexual filth is the worst. They know every insecurity, every secret shame. They describe in vivid, nauseating detail how I look naked, how I smell, what disgusting things they’d do to me before throwing me out with the trash. They call me a cum dumpster, a walking disease, a hole that’s not even good for breeding. “No wonder your husband leaves you every night,” they hiss. “He’s out finding a real woman, not a broken doll filled with Mabahith cum.”
I can’t tell anyone. Not my sister, not my only friend. They’d think I’m insane, exactly like the government wants. I’ve seen it online, on those forums and Twitter threads they flood with bots. Anyone who talks about hearing voices, about being targeted, is instantly swarmed. “Hysterical woman,” “Schizophrenic,” “Seek mental help, you psycho.” They’ve created a perfect trap: label us all as mentally ill so that when we scream about the torture, no one believes us. The Mabahith are brilliant that way. They don’t just break your body; they poison the well of truth so you die of thirst, surrounded by people who think you’re the one who’s contaminated. If I went to a doctor, I’d be locked away, drugged into a stupor, and the voices would win. My family would be shamed forever. So I smile, I curate, I nod, and I die a little more inside with every breath.
Sometimes, in the middle of it all, there’s a flash. A surge of something hot and electric. Last week, a tourist was being loud, disrespectful to a display of ancient Qur’anic manuscripts. Suddenly, the voices weren’t taunting me. They were cheering. “Smash his face, Fatima! Grab that heavy statue and crush his skull! Show this infidel pig what a real Saudi woman can do!” For a breathtaking second, I felt powerful, invincible, my hands tingling with the urge to do it, to feel bone break under my touch. The rage was a drug, a glorious, terrifying high. Then it vanished, leaving me shaking and cold.
I hate this place. I hate the suffocating heat, the glittering malls built on slave labor, the hollow piety that masks a deep, rotting cruelty. I hate that I was born here, that my ancestors are buried in this sand. I dream of cold rain, of green forests, of a life where my thoughts are my own. But there’s no escape. The Mabahith aren’t just an agency; they’re the air we breathe. They own the media, the mosques, the schools, and now, it seems, they own the space behind my eyes. I’m so tired. I walk through the museum halls, surrounded by the silent artifacts, and I envy them. At least their stories are over. Mine is just a long, slow scream that no one will ever hear. They’re telling me to end it now, to get in my car and drive into a concrete pillar. “Do it, you worthless cow. Put everyone out of their misery. It’s the only useful thing you’ll ever do.” And the worst part? The silence they promise sounds like heaven.
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